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SEAN PAUL

SEAN PAUL

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Country   Jamaica
Initially Purchased   2007-07-13
Return   1700.00%
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DISCOGRAPHY DISCOGRAPHY   Jul 13, 2007 01:07:43
Sean Paul Discography Albums 2006 Trinity [Bonus CD] 2005 Trinity 2003 Dutty Rock [Australia Bonus Track] 2003 Dutty Rock [2003 Clean] 2002 Dutty Rock [2002] 2002 Dutty Rock [2002 Clean] 2002 Dutty Rock 2000 Stage One Singles   2006...
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We Be Burnin' With Sean Paul
by Jeniffer Zimmerman (16 Jun, 2006)

Sean Paul talks about his father, his music, his home & herb!

You may have heard Sean Paul’s hit songs Ever Blazin’ and We Be Burnin’ (Legalize It), which clearly demonstrate this international superstar’s love for ganja and enjoying the good life. But if you own his newest album The Trinity (which over a million people already do) then you are singing along by now to the reggae dancehall lyrics that openly give praise to smoking weed.

Sean Paul Henriques was born January 8, 1973 in St. Andrew, Jamaica to a culturally diverse family of Sephardic Jewish, African, and Chinese descent. He has come to represent more than just the Jamaican motto “Out of Many, One people”. His Grammy-winning double platinum album Dutty Rock (featuring the ganja-lovin’ song Gimme the Light) has brought dancehall rhythms into clubs, onto TV and right into our mainstream.

Attributing his success to both hard work and Karma, Sean Paul revealed himself in this exclusive interview with Cannabis Culture as a spiritual, nostalgic and intelligent person. He reflected on how marijuana is positive for his meditation and holds potential economic benefits for his struggling nation. Although his success truly classifies him as a worldwide superstar, he gives thanks to be from Jamaica where – he affectionately says – “The food and weed is just better.”

Sean Paul: may I say that I am very happy to hear of your magazine’s name! just the Name alone makes me very happy.

Cannabis Culture: I was wondering if you could start off by telling me what inspired you to record Trinity and how you got involved with creating music?

SP: Okay. I got involved with music by being a fan of Music. I’ve been learning from my heroes, people like Super Cat, Shabba Ranks and Bob Marley. When I got into music, the vibe to me was just about expression. It was definitely about telling People about who I am in any which way. So if the song was about badness, I was saying things as I would react in that situation. If it was about love, I would say things about how I would react in that situation; if it was about mackin’ ladies, about partyin’, anything like that. So it was about self-expression, and to let people know who I am. [The Trinity] is my third album, it has been three years in production, and all produced in the Third World, which is why it’s named Trinity. It represents the Third World, because [of the] young entertainers and young synergy of producers that have been running the street there for the past four years (Steven “Lenky” Marsden, Don Corleone, Renaissance Crew, and Snowcone). They’ve inspired me and reminded me of myself ten years ago when I started, without album support, without radio stations supporting me – you know, underground! people who are still tryin’ to prove themselves [to the world] but they’ve proven themselves to me. That’s the whole inspiration behind doing it at home with young kids representing the Third World, The Trinity.

CC: Of all the places you’ve traveled throughout the world, where did you find the best ganja?

SP: I’ve been to many places. I’m gonna talk about that a little bit, because I think that cultivation of weed is really the important thing here. The soil and climate is good, it’s something that affects the weed, but you must know how to treat your plant. I have a friend at home that teaches us about using a certain type of fertilizer and picking at the right time and allowing it to dry for the right time, but where I’ve been to... I’ve heard stories about Africa, that, “Oh, it’s the mother-land and it has the best weed” but when I went there I was disappointed because I Don’t think the people took care of their product. I’ve been to Amsterdam, and wherever they get their weed from, that’s very good weed. Of the whole entire United States, I’ve had great weed in Miami and in New York City, but that place called Humboldt County is a blessed place. (Laughter) Yeah, they are really treatin’ the weed good and the whole concept of growing it... you know, what you put in is what you’re gonna get out. Also, the climate is very great over there. I’ve experienced great amounts of great Sensimilla in Humboldt.

CC: How much does smoking weed play a part in your life?

SP: In my song We Be Burnin’ I say it’s the best thing for my meditation. I was a teenager when I first experienced smoking it. My father had been smoking it around me since I was a kid. I knew it was something that other parents probably didn’t do, and I knew it was wrong in terms of the public view of it, but I didn’t think that daddy was a bad man for doing it and he didn’t change his attitude towards me or the family. That was him. I’ve always loved the smell of it [ganja]. By the time I was a mid-teenager I’d experimented once or twice. In Jamaica the laws are not as strict, so sometimes you can go out as a fourteen year old and drink a few beers. I was kind of a social drinker then, and I enjoyed it and whatnot. But when I started to smoke weed, and get more and more into the Culture of it, it really, really sunk into me that this is a better thing for my meditation. When I smoke it I become a calmer person. There are a lot of things I can pin-point about weed, in terms of the medical greatness of it, and how it can make soap, bricks, and hemp rope, everything! To me, it’s the Best thing for my meditation, to calm myself down, remember who I am, and get in touch with the Earth again.

CC: How does it help you with your music?

SP: My mother is an artist, and she told me when I first started smoking weed that, you know, you Don’t have to feel that the weed gives you anything, so get used to that. You are perfect the way God designed you. So if I stopped smoking weed now, I wouldn’t stop writing hit songs, I would still continue. It gives me a feel of euphoria, that’s all, and helps my meditation to think of certain things. I had a song a long time ago, when I first started in the biz, about 1995, I said, “If it ain’t meditation from the Almighty One, than how come the leaves amount to seven?” To me, seven is a blessed number. It represents a lot of things in the human space represented by God.

CC: You had to censor some of your songs for radio and TV.

SP: The main TV stations said they would not play the songs with the weed references in it, so my record company asked me to change the one word. But the song wouldn’t make sense that way so I ended up changing a few lines. I didn’t like the idea but I wanted people to hear the songs so I went ahead with it.

CC: I read about an incident with your father and the authorities, involving marijuana. Do you want to talk about that?

SP: Yeah. As a youngster, my father was a gangster. He was a hustler, I should say. Tryin’ to make things here and there. A couple of them went bad, but One was very, very grave – what you can call a mistake, or a big lesson. Staying in general penitentiary for six years because of an incident when he was tryin’ to send away some weed, tryin’ to export it from Jamaica. So that was his story, in terms of always tryin’ to make that buck, and doin’ it through ganja, and he was incarcerated because of something that happened to someone; he could have stopped it from happening, and he stayed in prison for six years of my teenage life, from the time I was 13 to 19 years old. And that’s really the bottom line. That’s why I do believe it should be legalized, and a lot of Jamaica’s economic problems can be helped, I mean... anything we can use to help us, we need it. So to produce hemp, whether it be for medical reasons or cleansing abilities, for the whole vibe of making clothing and rope and that kind of thing, it would help get a lot more people jobs. I’ve heard so much about what the greatness of the plant can do. Jamaica, we are a small little dot, a small little island, but geologically it has been proven that we pushed up out of the Earth at a different time than these land masses around, so our soil is rich in different qualities, and makes our weed very deep, just like Hawaii. So the food and weed is Just better. I Don’t know why the weed is so much better there... it has a lot to do with the Rastafari influence, and that Vibe. So I just give thanks to be born there and know what good weed is about.

CC: How often do you get to perform at home?

SP: Actually, not very much any more. I’ve been home, I did the album at home, from January to June we stayed at home and didn’t do any shows or anything. I was just in the studio. I spent two weeks at Christmas and the first two weeks of January [there]. But I only had One show in that whole time period.

CC: How do the people receive you when you go home?

SP: people always treat me with a lot of love and I receive a lot of energy from them. It’s a lot different, because People have known me for ten years publicly there as Sean Paul, and internationally maybe I’ve been known for a little less time. So I’m probably a new artist to many people, but [over there] people are used to the idea of me, and what my music is about. I think the show over Christmas showed people how much performing I’ve been doing and the experience I’ve gained on the road, and they were very expressive about it, telling me, “Wow! You’ve really come a long way!” so it felt good, to come home and full-circle it, ya know.

CC: Are you involved in any charity organizations?

SP: I’m not fully linked to any charity organizations, but I did help out during hurricane Ivan in Jamaica. I helped out some schools and hospitals that were damaged. There were certain schools that were going to be non-operational for six months. That’s crazy. So I tried to help the schools and hospitals get back on their feet as quick as possible. There are some houses for disabled kids and kids that are paralyzed, Mona Rehab it’s called, and these kids live there, kids with fragile bones – if they jump on the ground their legs might break because of calcium deficiencies and whatnot. I try to give back in that respect. There are a lot of people in the country that need help economically.

CC: I read a quote from you where you talked about hard work and Karma. Could you expand on how much Karma plays a part in your life?

SP: When I was a kid, I would hear it all the time, “what goes around comes around” but I didn’t really understand the vibe of it until I was a teenager. Instead of chasing things down, [just] do your thing, and treat people with respect and love. I noticed a difference in my life from that point on, and I started to write more. So I try and treat People how I would like to be treated. Just for that alone, it has shown me that Karma is a really true thing. energy and forces come and go, but to wait One’s time, and to have patience, to taste life and enjoy life and embrace life, is the greatest thing. Overgrow the Ballot Box!

CC: What do you see for your future?

SP: More music. There are days that I sit in hotel rooms, gloomy days, and I think about sitting outside in sunshine and reasoning. It’s a different vibe when I’m sitting in the back of a studio with the sunshine on my face, and so I hope to do a lot more of that. music helps to bring people together, and so to do Music is such a blessed thing and I’d like to try and maintain and keep it up.

CC: Anything else you want to say to the people?

SP: Yah. Straight up to the kids first of all, because I was around ganja from when I was a kid, like I said my father used to smoke it and was involved with shipments, and my mom used to smoke it at one point when she was younger, but I didn’t start until I was a teenager. I smoked One spliff when I was 15, and I didn’t make it an every day habit. When I got to the age of 21 that is when I really started to smoke more weed. I just wanted to emphasize to kids that you should take your time, and let your mind and ideas develop before you get into anything, even drinking. I’ve seen friends who aren’t able to handle ganja, for whatever reason. They get very hectic and start having some ideas about crazy things that Don’t exist. So I would Just like to say to the kids to be careful what you’re trying out, and give yourself time.


Sean Paul has received numerous prestigious awards and accolades during his career. He won a best Reggae Album Grammy for his 2003 release Dutty Rock, which has reached more than 6 million sales worldwide. The album’s hit Get Busy was the first reggae single to take the #1 positions on all charts. Baby Boy, a duet with Beyonce Knowles, placed #1 on the Billboard charts for 5 weeks. In 2003 Sean was bestowed with awards from MTV European music, MOBO (Music of Black Origin), Much Music (Canada), Juno (Canada), and Source magazine. That same year he was presented with the Bob Marley award for entertainer of the year, and broke new ground when he appeared as the first reggae artist Ever on the cover of vibe magazine. He was named Top Reggae Artist and had the Top Reggae album (Dutty Rock) on the 2003 and 2004 Billboard year-end charts, and won again for his newest album The Trinity, released in 2005. The Trinity debuted in 2005 and sold 107,000 copies in the first week – a us sales record for a Jamaican artist. That same year, the international Reggae & World Music Awards honored Sean Paul for his Jamaican hurricane Relief efforts. And in April 2006, The Trinity’s hit single Temperature burned up to #1 on the Billboard Hot 100. – Rhiannon Rose


The Sean Paul Photo Shoot

One of the finest photographers in California, Derek Plank, prepared for the Sean Paul shoot at the Los Angeles House of Blues. The self-appointed “weed tech”, Hopper, set up a vaporizer and wiped the fingerprints from a coiled Sour Bong.

Sean Paul arrived unpretentiously, sunglasses on and signature cane in hand. He took his seat on a bright and gaudy King’s throne made of bottle caps and bicycle locks, and was surrounded by silver trays of bud. “This is Train Wreck,” Hopper explained, “and here we have Romulan, Bullrider, OG Kush and Gonzo’s Gold.” A temple ball of hash was placed in Sean’s hand and he studied it closely, evidently pleased with his souvenir.

Hopper presented a loaded vaporizer decorated with an image of Bob Marley. This was Sean’s first experience with a vaporizer and he enjoyed the new method, likening it to the Chalice back home. (The Jamaican Chalice is made from a hallowed and hollowed coconut and named after a religious ceremonial goblet.) The camera started flashing, and Sean’s associate, wearing a t-shirt that readmarijuana Cures Racism’, shook his head proclaiming “if only I could trade places with you for One day, man!” A fresh round of cold Jamaican Red Stripe beer was brought in to cool us down.

The shoot went on for over an hour. Like a true connoisseur Sean Paul smelled, pinched, rolled, and smoked the buds. He took his time absorbing the bouquet of varieties and flavors, disarming everyone with his authenticity and proving to be a genuine weed lover.

A Universal executive came to give us a five-minute wrap-up reminder. “Telemundo is here for your interview,” she told Sean. I looked into the hallway and saw crewmen laughing at the billows of smoke rolling down the hallway. “But you can’t take that,” she said, pointing to the big joint between Sean’s fingers.

“Nah, this is my special likkle spliff, and I’m taking it wit’ me,” Sean replied. After finishing the final shots and trading warm goodbyes and hugs, he walked down the hall into the televised interview, with burning spliff in hand.


"Dancehall reggae is not just about the killer riddims; people the world over love the way we speak. This music is here to kick up the bass and burn up the place. I'm talking on behalf of all dancehall." - Sean Paul

The infectious sounds of Sean Paul have already earned the young reggae star a permanent place in Jamaica's musical pantheon. At this writing, Sean is now leading the influential hip-hop-flavored dancehall form fully into the American mainstream with his breakthrough single, "Gimme the Light." With U.S. radio stations and video channels opening their doors to the charismatic artist and his music, the song is a bona fide smash on both the national R&B/Hip-Hop and Pop charts.

"Gimme the Light" is a scorcher which is blazing the way for the November 2002 release of "DUTTY ROCK," Sean's second album - and his first via a new long-term worldwide pact between Atlantic Records and VP Records, the largest independent label for new Jamaican music in the U.S.. As a result, Sean has now joined the Atlantic roster, following a brilliant run of hit crossover singles and rapidly mounting media attention.

In 1996, Sean Paul's release of "Baby Girl" was the first of a series of undeniable reggae smashes that rocked Jamaica, quickly establishing a solid base for Sean amongst the island's dancehall massive. Part of the wave of mid-nineties Jamaican deejays that brought new blood into the Jamaican music scene, he quickly pulled to the front of the pack. Hardcore dancehall fans were captured by his songwriting and rapping skills and Sean rapidly became a favorite with ladies in the audience.

SeanPaulphotoAs his reputation grew in Jamaica, the rest of the Caribbean quickly picked up on Sean Paul's sound. Soon, Jamaicans in Miami, New York, and London knew the words "Dutty Yeah" were a signal to hit the dance floor. record-breaking airplay on American hip-hop radio followed, and the success of "STAGE ONE," Sean Paul's 2000 smash debut album, established him as VP Records' best-selling current artist. With "DUTTY ROCK," Sean moves from strength to greater strength, ratcheting his sound straight up to the heights.

born Sean Paul Henriques in Kingston, Jamaica on January 8, 1975, Sean Paul's lineage truly reflects Jamaica's national motto, "Out Of Many, One people." On his Portuguese father's side there is a family legend about the shipwreck of horse-rustling ancestors during a daring escape from bounty hunters. Sean's mother is a renowned Jamaican painter, and both his parents were noted athletes - a tradition Sean continued as a youth, representing his country in many international swim and water polo meets. After graduation from UTECH, he kept body and soul together by working as a chef and later as a teller in a bank.

In his early teens, dancehall reggae became Sean's leading passion. Such artists as Lt. Stitchie, Major Worries, and Supercat were important influences. A few years later, as Sean began writing his own n lyrics, he made a link and busted some rhymes for Cat Coore, Bunny Rugs, and Carrot Jarret of Third World. "Cat said, 'Your voice sounds great, lets do some demos,'" Sean Paul recalls.

Sean developed his skills by making dubs and playing barbecues. In 1996, after a couple of singles, he made the crucial connection with then up-and-coming producer Jeremy Harding, owner of 2 hard Records. Jeremy had just completed the Fearless riddim, and Sean voiced it with "Baby Girl," his first woman-oriented lyric. "Baby Girl" became a huge hit, opening doors all over Jamaica for Sean. During this time, he continued to learn the deejay trade and mature as an artist. He hooked up with the Dutty Cup Crew, a group of aspiring deejays. "We used to smoke weed, and a 'dutty' is a used pipe, but that's not what we were all about," Sean explains. "In life, if you Don't work Hard and dutty, you won't get nowhere, so our cup is full."

SeanPaulphotoIn 1998, Sean recorded "Infiltrate" on Jeremy Harding's Playground/Zim Zimma riddim. The riddim was a reggae smash, both in Jamaica and internationally, and "Infiltrate" became a top record in the juggling mix. "'Infiltrate' took me to enough places," Sean recalls. Charting number One in Belize, the record rocked hip-hop mix shows in New York and Miami.

Hitting next with "Excite Me," Sean's name was spreading to the rest of the Caribbean, especially Trinidad and Guyana. He then recorded "Deport Them," which became the #1 record in Jamaica on Tony Kelly's Bookshelf riddim. The song received major airplay in Miami and on New York's hip-hop mix shows, later crossing over onto regular rotation on New York's Hot 97.

It was around then that Sean Paul joined forces with emerging sing-jay Mr. Vegas. Their first collaboration, "Hot Gal Today," on the street Sweeper riddim by Steely and Clevie, became a #1 record in Jamaica and throughout the Caribbean. Sean and Mr. Vegas also collaborated on the dancehall hit, "Tiger Bone," produced by Richard "Shams" Browne on the Intercourse riddim. In March of 2000, just as "Hot Gal Today" was heating up in Miami and New York, VP Records released "STAGE ONE," Sean Paul's debut album. Meanwhile, Sean and Mr. Vegas joined forces with producer Tony Kelly and multi-platinum rapper DMX for "Top Shotta," a song on the Belly soundtrack, further lifting Sean's rep in the States.

After a wicked re-mix on the Punany riddim, "Hot Gal Today" joined "Deport Them" in rocking American hip-hop and R&B radio. Together the two tunes thrust Sean Paul's Stateside career into orbit. He became the first reggae artist to have two singles added at the same time to a major American radio station (NYC's Hot 97), and the first reggae artist to simultaneously chart two Singles from the same album ("Hot Gal Today" at #66 and "Deport Them" at #85) on the Billboard R&B Singles chart. "Hot Gal Today" also hit #6 on the Billboard Top Rap Singles chart. With all the radio play in New York, Sean built up a major New York City base among tastemaker disc jockeys and true hip-hop fans.

Sean was named #3 Reggae Artist of the Year by Billboard and "STAGE ONE" was named Billboard's #4 Reggae Album of the Year. Meanwhile, "Hot Gal Today" was featured on the Shaft soundtrack. The sales of "STAGE One" went through the roof. At the same time, Sean continued his string of Jamaican successes with "No Bligh" for Penthouse Records, "Check It Deeply" for In The Streetz, and "My Name" for Shocking Vibes.

SeanPaulphotoNotably, Sean was the first reggae artist to perform on Hot 97's Summer Jam, One of the most important annual American R&B/hip-hop concerts. "Suddenly, I was with artists who were my mentors," Sean enthuses. "I met Big Daddy Kane, Snoop, Aaliyah; there I was, talking to Funkmaster Flex. It was crazy." That summer, Sean rocked Summer Jam-type shows from Miami to Boston.

A forward-looking artist, Sean began work on his next album, continuing to record dancehall smashes with reggae music's top producers. The team of Sean and Tony Kelly scored again with "Like Glue" on the Buyout riddim. Next, working in combination with sexy Ce'Cile, Sean voiced on the hottest riddim of 2001, the Jeremy Harding-produced Liquid, to make the hit single, "Can You Do The Work." Both songs blaze on "DUTTY ROCK."

Other outstanding tracks include "I'm Still In love With You," featuring Sean and Sasha on a romantic cover of the Alton Ellis/Marcia Akins classic, and, of course, "Gimme the Light," the album's lead-off single. "DUTTY ROCK" also boasts a fantastico Spanish version of "Punkie," a huge hit around the Caribbean and in Latin hip-hop clubs in the Northeast.

With his radio success in America, Sean's reputation in the U.S. hip-hop and R&B community exploded, leading to collaborations with Busta Rhymes, Jay-Z, DMX, The Neptunes, Clipse, Mya, Tony Touch, and Rahzel of the Roots, among others. "A lot of hip-hop artists have been linked to dancehall," Sean told the New York Times. "It always has been, and now people can see for themselves."

Sean was recently named best Reggae Artist of the Year at the MOBO Awards in London, and he also garnered a High Times magazine 2002 Doobie Award for "Gimme the Light." Now, with the release of "DUTTY ROCK," Sean Paul is poised to generate a mass of new followers as he crosses over to a whole new audience. "I see dancehall reggae and hip-hop as fused together," Sean Paul explains. "When I was a kid, they were the two kinds of music that spoke to me and said 'MOVE!'"



SeanPaul Sean Paul's newest album, THE Trinity (VP/Atlantic), tops the Reggae charts today, selling over 107,000 in its first week, the highest Ever reggae debut in SoundScan history. It's been a good month for music from Jamaica: just a week ago, Damian Marley sold 86,000 in his first week, then the biggest debut for a reggae release since Nielsen SoundScan starting collating data in 1991. However, his reign as champ of Jamaican Music was short-lived, with Sean Paul - the man who put Jamaica's dancehall on the map - back on the scene in a big way with this week's #7 on the Billboard 200, #4 on R&B chart, and, of course, #1 on the Reggae chart. This marks Sean Paul's highest chart position to date.

THE Trinity is the follow-up to the King of Dancehall's breakthrough debut album, 2002's DUTTY ROCK, which sold 65,000 in its first week and went on to become an international phenomenon, selling over 6 million worldwide. That album spawned four mega hit singles as well as collaborations with artists such as Beyonce, Jay-Z, Busta Rhymes, and even Sting at the 2004 GRAMMYs. On THE TRINITY, Sean returns to his signature blend of reggae, dancehall, and hip-hop, to great success and acclaim.

First single "WE BE BURNIN'" is this week's Greatest Gainer on the Billboard R&B/Hip-Hop Charts, entering the Top 20 this week, and steadily rising up the Pop charts as well, with the video currently in rotation on MTV and BET. Fans can catch Sean Paul perform the hit on Jimmy Kimmel live on Wednesday, October 5, 2005, with additional performances coming and a tour jumping off in November.

Named THE Trinity because it is Sean Paul's third album (second with Atlantic), three years in the making, and made entirely in the Third World, the new album is already on pace to best DUTTY ROCK, which transformed the music scene and brought authentic Jamaican dancehall reggae from an underground phenomenon to the mainstream of popular Music around the globe and earned Sean Paul a GRAMMY, MTV Europe's Best New Artist Award, Source, MOBO, Juno, Much Music, and international Reggae and World Music awards.

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justinottawa
Comment By: justinottawa
Date: Dec 13, 2007 14:56:58
Moughal
Comment By: Arif Mirza
Date: Nov 24, 2007 13:31:55
want to know the secrets for great hits. send me a message and ask me.
garciajr
Comment By: garciajr
Date: Nov 19, 2007 20:59:41
Jimm
Comment By: detective1
Date: Jul 13, 2007 16:02:16
man you own all these reggea stars nice!
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