Famous for his unaccompanied, unorthodox concerts and albums, Lol Coxhill has an immediately identifiable soprano and sopranino style. He's perhaps Steve Lacy's prime rival in getting odd sounds out of the soprano with his wrenching, twisting, quirky solos. While Coxhill's an accomplished saxophonist and can play conventional bebop, it's his winding, flailing soprano and sopranino lines that make him stand out. He actually started playing more conservatively; Coxhill backed visiting American soul and blues vocalists in the '60s, playing behind Rufus Thomas, Lowell Fulson, and Champion Jack Dupree. He worked with Stephen Miller's group Delivery in 1969 and 1970, and played with them at the Berlin Music Festival. But his debut album, Ear of the Beholder, established a new direction for Coxhill. Since then, he's worked with both bebop and free musicians, among them Chris McGregor, Trevor Watts, Bobby Wellins, and Company. Coxhill's also played with such groups as the Recedents, Standard Conversions, and the Melody Four.

... referring to the warbling tones of saxophonist Lol Coxhill spinning on the turntable as doom-metal one man band Via Vengeance sets up. ...

Lol Coxhill and John Edwards were at Café Oto in Dalston, and the American jazz bass player Henry Grimes was at the Vortex nearby but we realised we hadn't ...