Directory of albums on Weblo Music - albums starting with letter G

Browse Albums Directory on Weblo Music:

Record 1 - 10 of 3826 [Total 383 Pages]
Image	Name
	G Not one to remain stagnant or rely on past successes, Gerald Levert explores his vocal abilities on this set more than he has on past efforts. Outside producer Darrell Allamby captains the CD's first three tracks and stretches Gerald's voice; Allamby has him reaching for notes and provides fresh rhythms for G's soulful delivery, making the singer more acceptable to less mature ears. Gerald produces the next ten tracks and proves more adventuresome (with his voice) than Allamby by executing "B...
	G Force Kenny G's work can be divided into three main categories: first, his improvisatory fusion efforts as a Jeff Lorber sideman in the late '70s; second, his R&B-oriented albums of 1982-1985; and third, the elevator Muzak he has specialized in since 1986. Falling into the second category, G Force is a fairly decent urban contemporary release that clearly benefits from the input of Kashif (who serves as executive producer). Kashif was hot at the time, and the R&B singer/producer/songwriter had been...
	G N' R Lies Once Appetite for Destruction finally became a hit in 1988, Guns N' Roses bought some time by delivering the half-old/half-new LP G N' R Lies as a follow-up. Constructed as a double EP, with the "indie" debut Live ?!@ Like a Suicide coming first and four new acoustic-based songs following on the second side, G N' R Lies is where the band metamorphosed from genuine threat to joke. Neither recorded live nor released by an indie label, Live ?!@ Like a Suicide is competent bar band boogie, with...
	G'ole! The soundtrack to the official film of the 1983 World Cup -- and for a man who also wears a Philadelphia Flyers jersey under his cape, composing a sports-themed album isn't quite as strange as it might seem. G'ole! finds Wakeman experimenting again with the staccato rhythms and percussion of "White Rock," and overlaying this with the broad synth strokes that he developed on "Rhapsodies." The results vary wildly: the music-box chintz of "Latin Reel" sounds better suited to an FAO Schwarz Chris...
	G's Us 4 Life
	G-Force After cooperating with Phil Lynott on Back on the Streets, Gary Moore moved to L.A. and formed the group G-Force with Willie Dee, Tony Newton, and drummer Mark Nauseef. The group did not hold together much longer than it took to finish the first album, and on its re-release on CD, only Moore gets credit. But the album they left behind, also named G-Force, is clearly underrated. As expected, it does contain the elements that would later make Moore famous, like hard rock riffs and long instrume...
	G-Funk Classics, Vol. 1
	G-Funk Classics, Vols. 1 & 2 Two years is an eternity in hip-hop, especially for rappers arriving at the tail end of a trend. Such is the case with Nate Dogg, a talented rapper who first made waves on Warren G's seminal "Regulate" in 1993 and then signed a solo contract shortly afterward. If he had been able to deliver his debut album, G-Funk Classics, Vol. 1, in 1995/early 1996 like he intended, he may have been a major star. Instead, the album was shelved due to legal problems at Death Row Records, and he wasn't able t...
	G-Man The soundtrack to the performance film Saxophone Colossus features long Sonny Rollins tenor solos on "G-Man" and "Don't Stop the Carnival" and a briefer one during "Kim." Joined by his usual quintet of the era (trombonist Clifton Anderson, pianist Mark Soskin, electric bassist Bob Cranshaw and drummer Marvin "Smitty" Smith), Rollins is in good form, saying little that it is new but delivering passionate messages with his typical spirit; the video is worth getting too.
	G-Spot Fizzy, flawlessly crafted ambient techno similar in feel to B12 and Global Communication. Although a few dancefloor scorchers make the cut, most of the album is armchair-style slow breakbeat, with an obvious attention to melody and mood making this some of Paap's most satisfying work to date.
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