Albums Directory on Weblo Music
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Browse Albums Directory on Weblo Music: |
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Record 1 - 10 of 4186 [Total 419 Pages]
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W-Collins & Pie |
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W.A.S.P. With glam rock making a comeback of sorts in 1984 (Mötley Crüe, Ratt, etc.), another Los Angeles band, W.A.S.P., couldn't have picked a better time to release its self-titled debut. By merging lyrics that dealt with the expected heavy metal themes (sex, Satanism, etc.) alongside Blackie Lawless' rough vocals and Chris Holmes' guitar riffing, the band sounded and looked more menacing than your average L.A. glam band at the time. Add to it a stage show that was gimmick-heavy (Lawless would drin... |
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W.C. Fields and Me [Original Soundtrack] |
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W.F.O. Overkill's second release for Atlantic Records, W.F.O. probably represents the formal beginnings of a '90s commercial swoon for the thrash metal band. The group had formed on the East Coast during the early-'80s thrash heyday, and somehow managed to make a name for itself within a genre dominated by mostly West Coast artists like Metallica, Slayer, and Megadeth. It seemed like there was very little room for artists from New York's metal underground in the very tight quarters of aggressive met... |
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W.O.A.H. |
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W.O.M.A.N. A peculiar, not entirely successful, but often fascinating album, 1983's W.O.M.A.N. (the title is an acronym of the title of the first song, "Without Mentioning Any Names") is a record of two distinct halves. The first half is far superior, a loosely connected suite of songs that range from the title track, a screaming two-minute rocker with a peculiar but perfect voice-and-drums arrangement, to a surreal, spoken word story, "The Driving Beat," to the jangle pop of "Let's Be Sad," and the hea... |
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W/ Wilbur Harden Quartet Plays "The King and I" |
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W/Ataulfo Jr. Leva Meu Samba |
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W/Benny Golson |
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Wa Kele Bembeya Jazz National, one of the oldest and greatest of all Sahelian bands, was the inspiration for more famous groups (Les Ambassadeurs among them). Alas, none of their superb music from the '70s is currently available, but the '80s material is almost as good. Like any working band they keep up with the trends (at times too much so). But they're still one of the freshest of all Sahelian bands despite the commercial pressures that have so damaged Youssou N'dour and other big names. Instead o... |
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