|
Record 1 - 10 of 482 [Total 49 Pages]
|
| Image |
Name |
|
F.M. Einheit
The "chief machinery operator" for German industrial terrorists Einstürzende Neubauten from the band's inception in 1983, F.M. Einheit has had plenty of time to record side projects between his group's usually relaxed release schedule (one which also permits bandmate Blixa Bargeld to play with Nick Cave's Bad Seeds). Einheit recorded his first, 1990's Stein, just after the sessions for Einstürzende Neubauten's Haus der Luege. Then he formed a band -- confusingly named Stein -- with Ulrike Haa... |
|
|
F.U.S.E.
A Richie Hawtin pseudonym which predated even the more famed Plastikman, F.U.S.E. debuted in 1991 with the fourth single on Hawtin's +8 Records, "Approach & Identify." Given wider issue later that year on the +8 compilation From Our Minds to Yours, F.U.S.E. released several more singles during 1992, then the album Dimension Intrusion in 1993. Released on Warp Records (Britain's premiere label for the new listening techno), the LP gained Hawtin many converts, especially when it was released in... |
|
|
F.X. Randomiz
Köln, Germany's enigmatic A-Musik label has produced some of the most fascinatingly complex reshufflings of experimental ambient and post-techno. And while his name typically only makes it onto his own releases, Felix "F.X." Randomiz has been involved in one way or another with most of them. A contributor to the electronica etchings of such artists as Pluramon, Holosud, Schlammpeitziger, and, most notably, Mouse on Mars (on the group's popular Autoditacker LP and together with MOM's Jan St. W... |
|
Fabian
Thanks to a series of performances on Dick Clark's American Bandstand, Fabian rocketed to stardom in the late '50s. With his stylish good looks and mild rock & roll, he became one of the top teen idols of the era; luckily, he had the support of the legendary songwriting team of Doc Pomus and Mort Shuman, who provided him with "Turn Me Loose," "Hound Dog Man," and "I'm a Man," among other songs. Fabian's fame peaked in 1959 with the million-selling "Tiger" single; after that, he valiantly trie... |
|
|
Fabian Schofrin |
|
|
Fabio
Fabio is the pioneering breakbeat DJ who, along with Grooverider, brought drum'n'bass into the British club scene. A DJ since the early '80s rare-groove and hip-hop periods, he was born in London and grew up in Brixton. Though he went to college for awhile and worked as an insurance agent, his burgeoning mixing career soon took center stage. A soul fan and early friend of fellow DJs Colin Dale and Tim Westwood, Fabio first made his name on the pirate station Phase 1 and got hooked on house mu... |
|
Face to Face
Southern California punks Face to Face formed in 1991, originally comprised of singer/guitarist Trever Keith, drummer Rob Kurth, and bassist Matt Riddle. Debuting early the following year on the Dr. Strange label with Don't Turn Away, the trio was quickly snapped up by Fat Wreck Chords, which reissued the LP soon after. Adding second guitarist Chad Yaro, Face to Face toured relentlessly in the months to follow, recording a series of singles and compilation tracks collected in 1994 as Over It.... |
|
Facemob
Protégés of Scarface, Facemob formed around the talents of five rappers from five different states, with no connections that didn't involve the former Geto Boy. Florida native Devin originally performed with Rap-a-Lot's Odd Squad; Houston's Smit-D was a childhood friend of Scarface's; 350, the only female member, was invited after passing him a tape at a show in Cleveland; from St. Paul, DMG originally impressed Scarface so much he gained his own solo album (1993's Rigormortiz) for RAL; and C... |
|
Faces
When Steve Marriott left the Small Faces in 1969, the three remaining members brought in guitarist Ron Wood and lead singer Rod Stewart to complete the lineup and changed their name to the Faces, which was only appropriate since the group now only slightly resembled the mod-pop group of the past. Instead, the Faces were a rough, sloppy rock & roll band, able to pound out a rocker like "Had Me a Real Good Time," a blues ballad like "Tell Everyone," or a folk number like "Richmond" all in one a... |
|
|
Fade |
|
|
|
